ince it was launched in 2007, the Manchester International Festival has taken place in existing buildings both large and small throughout the city. But spaces with the qualities needed by the art pieces commissioned by the Festival are fewer and fewer, disappearing amid Manchester’s fast-paced redevelopment into England’s new economic hub. In 2015 Manchester City Council launched an architecture competition for a new kind of art venue for the Manchester International Festival (MIF), capable of hosting both art performances and exhibitions, separately or simultaneously.

MIF’s new home embraces Manchester’s industrial and creative past. Its concrete and corrugated metal facades stand out amidst the refurbished brick warehouses and newly built glass-facing flats, offices, and television studios, making up the new St. John’s neighborhood. The building hovers over Water Street and the arches of the 19th-century Pineapple railway line, now part of its foyer, opening up a much-needed swathe of public space towards River Irwell, forgotten between greedy new developments.

The Factory is not one building but two. Its main event space, the Warehouse, is one large, 21-meter tall, flexible container, left bare to be adapted by its users as they see fit. It can be used as a single space or subdivided into two, with full-height moveable partitions that provide acoustic insulation.

Productions of different scales can take place inside, from intimate performances to concerts with 5,000 people standing. The ceiling is a technical grid, with lighting, equipment, and rigging, that supports concerts and exhibitions alike.

The Warehouse is complemented by the Hall, a 1,603-seat auditorium with a flexible stage that accommodates opera, ballet, theater, music, and cross-art performances. The Warehouse and Hall can work in tandem, allowing the stage to extend to a depth of 45 meters.