CAM-Centro de Arte Moderna Gulbenkian will reopen to the public on 21st September 2024 following an extensive reimagining led by acclaimed Japanese architect Kengo Kuma, marking the architect's first completed project in Portugal. Conceived by British architect Sir Leslie Martin, the original building opened in 1983 to house one of the world's most significant collections of modern and contemporary Portuguese art.

Currently undergoing a significant transformation, CAM is nestled within the verdant grounds of Lisbon's Gulbenkian Foundation, a multi-disciplinary campus comprised of iconic 1960's buildings immersed in an 18-acre woodland, the legacy of the prolific collector and philanthropist, Calouste Gulbenkian (1869 - 1955). Highlights of the opening programme include a major exhibition featuring an installation by Berlin-based, Portuguese artist Leonor Antunes presented alongside a selection of works by women artists from CAM's Collection, as well as two days of live arts events free for the public to attend.

CAM will continue to house a major open collection of almost 12,000 artworks spanning paintings, sculptures, installations, drawings, prints, photographs and films by some of the country's most renowned artists, such as Helena Almeida, Paula Rego and Maria Helena Vieira da Silva. CAM also holds a significant collection of works by international and British artists, including Robert Delaunay, David Hockney and Bridget Riley, among many others. Bringing together the modern and the contemporary, CAM plans to explore and revisit segments of its expansive art collection through multiple perspectives.

For CAM's new iteration, Kengo Kuma's contemporary transformation seamlessly connects the building with the surrounding gardens and city.

Defined by a 100-metre-long sweeping canopy, composed from ceramic tiles made in Portugal, the architecture and interiors have been conceived by Japanese architecture firm Kengo Kuma Associates. The building's redesign by Kuma draws from the Engawa, a sheltered walkway typical of Japanese dwellings, considered neither totally inside nor outside. Incorporating this typology, the architecture has been integrated into the surrounding gardens of the Gulbenkian Foundation – a nod to Kuma's vision for 'soft and humane architecture' and in response to CAM's commitment to establish a greater connection between the building, the garden and the city. Accessed through a new entrance, the gardens have been extended to create a fluid and dense urban forest conceived by landscape designer Vladimir Djurovic. For CAM's next chapter, design studio A Practice for Everyday Life has developed its new visual identity, inspired by the organic lines and sheltering nature of the Engawa and the building.

Architect, Kengo Kuma comments: "In our vision for CAM, we craft a seamless fusion, where architecture and nature converse in harmony. Inspired by the essence of the Engawa, we unveil a new outdoor narrative, inviting visitors to slow down and make this space their own. The idea of softness and transition is extended to the CAM interior where we created new spaces by subtraction, replicating the building connection to the garden and exterior light ."